'We Were the First Punks': The Ladies Rebuilding Local Music Scenes Throughout Britain.

Upon being questioned about the most punk act she's ever accomplished, Cathy Loughead answers without pause: “I took the stage with my neck injured in two locations. Not able to move freely, so I embellished the brace instead. That show was incredible.”

Cathy is a member of a rising wave of women reinventing punk music. Although a new television drama focusing on female punk airs this Sunday, it echoes a phenomenon already blossoming well past the TV.

The Leicester Catalyst

This energy is most intense in Leicester, where a 2022 project – currently known as the Riotous Collective – lit the fuse. She joined in from the beginning.

“At the launch, there weren't any all-women garage punk bands in the area. Within a year, there were seven. Today there are twenty – and counting,” she remarked. “Riotous chapters exist around the United Kingdom and globally, from Finland to Australia, laying down tracks, gigging, taking part in festivals.”

This explosion doesn't stop at Leicester. Around the United Kingdom, women are reclaiming punk – and transforming the environment of live music along the way.

Revitalizing Music Venues

“There are music venues around the United Kingdom doing well thanks to women punk bands,” noted Cathy. “So are rehearsal studios, music instruction and mentoring, recording facilities. The reason is women are in all these roles now.”

They're also changing the audience composition. “Women-led bands are playing every week. They attract more diverse audiences – people who view these spaces as safe, as intended for them,” she added.

A Movement Born of Protest

An industry expert, programme director at Youth Music, said the rise is no surprise. “Females have been promised a vision of parity. But gender-based violence is at alarming rates, radical factions are using women to promote bigotry, and we're deceived over topics such as menopause. Women are fighting back – via music.”

A music venue advocate, from the Music Venue Trust, notes the phenomenon altering local music scenes. “We're seeing more diverse punk scenes and they're feeding into regional music systems, with local spots booking more inclusive bills and creating more secure, more welcoming spaces.”

Entering the Mainstream

Soon, Leicester will present the inaugural Riot Fest, a multi-day celebration featuring 25 female-only groups from the UK and Europe. In September, an inclusive event in London honored ethnic minority punk musicians.

And the scene is entering popular culture. The Nova Twins are on their first headline UK tour. A fresh act's debut album, their album title, charted at sixteenth place in the UK charts lately.

One group were in the running for the a prestigious Welsh honor. Problem Patterns secured a regional music award in last year. Recent artists Wench appeared at a major event at Reading Festival.

This represents a trend rooted in resistance. Within a sector still dogged by misogyny – where all-women acts remain less visible and music spots are closing at crisis levels – female punk bands are establishing something bold: opportunity.

No Age Limit

In her late seventies, one participant is testament that punk has no age limit. Based in Oxford percussionist in her band picked up her instrument only recently.

“At my age, restrictions have vanished and I can pursue my interests,” she said. A track she recently wrote includes the chorus: “So yell, ‘Who cares’/ It's my time!/ I own the stage!/ I'm 79 / And in my top form.”

“I adore this wave of senior women punks,” she said. “I couldn't resist during my early years, so I'm rebelling currently. It's fantastic.”

Kala Subbuswamy from the Marlinas also said she hadn't been allowed to rebel as a teenager. “It has been significant to be able to let it all out at this point in life.”

Another artist, who has performed worldwide with various bands, also sees it as catharsis. “It's a way to vent irritation: being invisible in motherhood, as an older woman.”

The Freedom of Expression

Comparable emotions led Dina Gajjar to establish a group. “Standing on stage is an outlet you never realized you required. Women are trained to be acquiescent. Punk isn't. It's noisy, it's imperfect. This implies, when negative events occur, I say to myself: ‘I can compose a track about it!’”

However, Abi Masih, a band member, stated the female punk is any woman: “We're just ordinary, professional, talented females who like challenging norms,” she said.

Maura Bite, of the Folkestone band She-Bite, shared the sentiment. “Women were the original punks. We had to smash things up to gain attention. We still do! That fierceness is part of us – it feels ancient, primal. We are amazing!” she stated.

Defying Stereotypes

Not all groups match the typical image. Band members, from a particular group, aim to surprise audiences.

“We rarely mention the menopause or curse frequently,” said Ames. Her partner added: “However, we feature a brief explosive section in each track.” Ames laughed: “You're right. Yet, we aim for diversity. The latest piece was about how uncomfortable bras are.”

Paula Lopez
Paula Lopez

A passionate beer sommelier and homebrewer with over a decade of experience in the craft beer scene, sharing insights and discoveries.